7. Bibliography

 

Appiah, Kwame Anthony. “Is the Post- in Postmodernism the Post- in Postcolonial?” CriticalInquiry 17.2 (1991): 336. Print.

 
Berry, Chris, and Mary Ann Farquhar. China on Screen: Cinema and Nation. New York:
Columbia UP, 2006. Print.

 
Chan, Elaine. “Beyond Pedagogy: Language and Identity in Post-colonial Hong Kong.” British Journal of Sociology of Education 23.2 (2002): 271-85. Print.

 
Choy, Howard Y.F. “Schizophrenic Hong Kong: Postcolonial Identity Crisis in the Infernal
Affairs Trilogy.” Transtext(e)s Transcultures 跨文本跨文化 3 (2009): 52-66. Print.

 
Chung, Hon-man. “Hong Kong’s Postcolonial Condition: An Oscillating Identity and the Politics of Nostalgia and Pragmatism.” Thesis. Queen’s University, 2007. University of Hong Kong. Web. <http://hub.hku.hk/bitstream/10722/51845/3/FullText.pdf?accept=1&gt;.

 
Come Drink With Me. Dir. King Hu. Prod. Run Run Shaw. Perf. Cheng Pei-Pei. Dragon
Dynasty, 1966. DVD.

Durian Durian. Dir. Fruit Chan. Perf. Mak Wai Fan. 2000. DVD.

Election. Dir. Johnnie To. Perf. Simon Yang and Nick Cheung. China Star Entertainment, 2005. DVD.

Erni, John Nguyet. “Like A Postcolonial Culture: Hong Kong Re-Imagined.” Cultural Studies 15.3-4 (2001): 389-418. Print.

Infernal Affairs. Dir. Weiqiang Liu and Zhaohui Mai. Perf. Andy Lau and Tony Chiu Wai
Leung. Miramax Films, 2004. DVD.

Infernal Affairs II. Dir. Weiqiang Liu and Zhaohui Mai. Perf. Andy Lau and Tony Chiu Wai
Leung. Miramax Films, 2006. DVD.

Infernal Affairs III. Dir. Weiqiang Liu and Zhaohui Mai. Perf. Andy Lau and Tony Chiu Wai Leung. Miramax Films, 2006. DVD.

In the Mood for Love. Dir. Kar-wai Wong. Block 2 Pictures, Inc., 2000. DVD.

Hollywood Hong Kong. Dir. Fruit Chan. Perf. Zhou Xun. 2001. DVD.

Kan, Flora. “The Politics of National History in Post-colonial Hong Kong.” Curriculum Journal 22.1 (2011): 29-42. Print.

Lee, Vivian P. “The Hong Kong New Wave: A Critical Reappraisal.” The Chinese Cinema Book. By Song Hwee Lim and Julian Ward. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2011. 131-40. Print.

Leonard, Pauline. “Work, Identity and Change? Post-Colonial Encounters in Hong Kong.”
Journal of Ethnic and Migration Studies 36.8 (2010): 1247-263. EBSCO. Web.

Life Without Principle. Dir. Johnnie To. Life Without Principle. YouTube, n.d. Web. 26 Nov.2012. <http://www.youtube.com/watch?v=jlGIAd_ESHE&gt;.

Paterniti, Michael. “Hong Kong: In China’s Shadow.” – Pictures, More From National
Geographic Magazine. National Geographic, June 2012. Web. 25 Nov. 2012.
<http://ngm.nationalgeographic.com/2012/06/hong-kong/paterniti-text&gt;.

Rogue. Dir. Stanley Kwan. Perf. Leslie Cheung and Anita Mui. 1988. DVD. Youtube. 16 May 2012. Web. <http://www.youtube.com/watch?v=XKyTjP6VJJs&gt;.

Teo, Stephen. “The Hong Kong Cantonese Cinema: Emergence, Development and Decline.” The Chinese Cinema Book. By Song Hwee Lim and Julian Ward. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2011. 103-12. Print.

The Private Eye Blues. Dir. Eddie Ling-Ching Fong. Perf. Jacky Cheung and Mavis Fan. N.d.DVD. Youtube. 8 Oct. 2012. Web. <http://www.youtube.com/watch?v=rm06m6_wZzc&gt;.

Yeow, Daniel. “Questions of Identity in Postcolonial Hong Kong.” Danielyeowcom RSS. N.p., 11 July 2004. Web. 26 Nov. 2012. <http://www.danielyeow.com/2004/questions-of- identity-in-postcolonial-hong-kong/>.

 

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